The aim of my essay is to show how the Afro-American writer Michelle Cliff uses the concept of matriliny in the process of the feminist recovery of the history of Jamaica. I will argue that Michelle Cliff is a writer that honors the anachronistic tradition of essentialism that is based on the notion that cultures and identities have certain innate qualities immutable irrespective of time and place. I will contend that this essentialist worldview, skews the fictive world of Cliff’s much celebrated “Clare Savage novels”: Abeng and No Telephone to Heaven by reducing it to facile, Manichean oppositions between the colonizer and the colonized, white and black culture. My essay will particularly focus on how Cliff’s project of the affirmation of ...
This essay explores some of the historical and contemporary practices that punish Blackwomen for dar...
The 'new' nationalisms that have developed in postcolonial Jamaica and South Africa invite the recla...
This study begins with an exploration of how three post-1960 Caribbean women writers revise key conc...
In lieu of an abstract, below is the essay\u27s first paragraph. Abeng by Michelle Cliff is a coming...
In lieu of an abstract, below is the essay\u27s first paragraph. Abeng by Michelle Cliff is a coming...
Like African American women, African Caribbean women have been influenced by their migratory experie...
Like African American women, African Caribbean women have been influenced by their migratory experie...
Palimpsest, as a paradigm for stor(y)ing cultural memories, seems to be particularly suitable to exp...
Most, if not all, writings by Jamaican writer Michelle Cliff are connected by a subterranean desire ...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
This essay explores some of the historical and contemporary practices that punish Blackwomen for dar...
The 'new' nationalisms that have developed in postcolonial Jamaica and South Africa invite the recla...
This study begins with an exploration of how three post-1960 Caribbean women writers revise key conc...
In lieu of an abstract, below is the essay\u27s first paragraph. Abeng by Michelle Cliff is a coming...
In lieu of an abstract, below is the essay\u27s first paragraph. Abeng by Michelle Cliff is a coming...
Like African American women, African Caribbean women have been influenced by their migratory experie...
Like African American women, African Caribbean women have been influenced by their migratory experie...
Palimpsest, as a paradigm for stor(y)ing cultural memories, seems to be particularly suitable to exp...
Most, if not all, writings by Jamaican writer Michelle Cliff are connected by a subterranean desire ...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
This essay investigates Jamaica Kincaid´s the book Annie John (1985) and its protagonist Annie John´...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
Michelle Cliff is a contemporary author of poetry, short fiction, non-fiction, and three novels to d...
This essay explores some of the historical and contemporary practices that punish Blackwomen for dar...
The 'new' nationalisms that have developed in postcolonial Jamaica and South Africa invite the recla...
This study begins with an exploration of how three post-1960 Caribbean women writers revise key conc...